If It Ain’t Broke, Don’t Remake It

The HORROR! THEY'RE REMAKING WHAT?!
The HORROR! THEY'RE REMAKING WHAT?!

I’ve got a rather novel idea that I’d like to share with the world, something which I think everyone can agree with on some basic level. Something, which when I say it you’ll say “amen” under your breath. Ready for it?

We don’t *need* remakes.

I was looking at some stills for the upcoming movie remake The Karate Kid and suddenly this revelation hit me in all it’s clarity and wisdom. Why was this remake needed? What wasn’t told with the original story that needed to be re-told? What other kind of spin could anyone actually put on this to make it suitable for a new generation? Last I checked, the original source material still holds up and isn’t that painfully dated. And it’s not the casting that bothers me about this remake, it’s that the best option was to just re-do everything and call it a Karate Kid movie.

What if instead of remaking everything under the sun people decided to just take the basic story structures from these older movies and make something new entirely? A young, troubled boy finds an outlet for his untoward behavior in karate, thanks to a sage neighbor. Why does it have to be called The Karate Kid, and furthermore, what’s so important with it being a remake? Is it just to bring in the nostalgic moviegoers? Is it because remaking already established properties is fiscally safe?

How about this? Let the basic story stand on it’s own feet and trust that audiences that like that type of story will come in and see it. Since there’s nothing new under the sun, it’s not like you’re going to get sued for having a similar story type to the Karate Kid. If that were the case, I highly doubt a lot of “original” properties wouldn’t exist today.

Just something to think about. If it ain’t broke..