Blather

I find @CalamityEnsues interesting! #followfriday

I was poking around at Stay N Alive and read a very interesting idea about Follow Friday and the ways it can adapt to the new @reply changes that Twitter has set in place. Instead of flooding the tweet-stream with a bajillion usernames no one is going to care to check out, you highlight a select few people and EXPLAIN why they are interesting to you. This is a much better idea in the long run and puts the focus where it truly belongs: on the people you’re trying to get people to follow! Anypoo, with that, I bring you my good buddy @calamityensues.

Here’s the nitty-gritty, as they say. Calamityensues is an animator based out of Chicago. He graduated from Columbia College, and has kept busy doing freelance work in his field. His real passion is with storyboarding, which is evidenced by the most excellent boards I’ve seen him do for our current project. He’s quite passionate about his work and yet will be the first to tell you that the story is one of the most important ingredients in animation and film.

Here’s a demo reel of some of his more recent work, so you can see what he’s all about!

If you haven’t figured out yet why I follow calamityensues, you might very well be the most blind person I’ve ever met. Seriously, check out his stuff and follow him as soon as you can. Link to his blog: http://tommyrobot.blogspot.com/

I Am Writing On A Bus

So there I was, feeling bad that I wasn’t blogging enough when it hit me: I can blog while I’m on the bus! Hurray!!!!

Now, I suppose coming up with something to write might be a logical next step in this process of discovery…

Textbook Piracy

I was listening to the latest episode of TWiT the other day at work and the subject of piracy came up and how it’s–to put it simply–a game changer. Specifically, they talked about Amazon, the new Kindle, and how this could usher in an era of easier textbook piracy. When I heard “textbook piracy”, a little voice inside me went “squee.” I’m sure I’m not the only student burned by ridiculous textbook prices and what little use they’ve been to us in our college education.

I should clarify: I’m a film student.

Our textbooks (at least in the film department) were less than stellar, and I was even able to go an entire semester without needing any. Whether this is the fault of the teachers or the faculty is not the point of my little blurb here. I’m just interested in the idea that textbooks are next in line for evolution-via-mass-piracy. With college as expensive as it is now, why buy a book you don’t really need if you can get it in a .pdf and pull it up in a reader?

Anyway, just a thought.

Not That Crazy

The Magnetic FieldsNot That Crazy

[audio:notthatcrazy.mp3]

I built a ship with my own hands to take us to the moon,

I took a pen in my own hand and wrote you a hundred tunes.

Now I’m crazy for you but not that crazy.

If you couldn’t tell, I really like The Magnetic Fields. If I ever write an album, it will be because of Stephin Merritt.

Fakin’ the Nut Allergy – A Rant

According to Joel Stein:

  • My nut allergy is a product of my white upbringing.
  • I can stop my anaphylactic shock with my mind.
  • My parents were yuppies.
  • Your parents are yuppies.
  • God hates retarded children.
  • Fat friends make you fat (He quoted a guy for this fact).
  • Nuts are good.
  • Durr.

Ok, the last few bullet points were me being silly, but I think you get where I’m coming from. It’s hard to take this opinion piece seriously when the writer didn’t really bother to make a “good” point. As someone who’s experienced anaphylactic shock numerous times growing up (most involving hospital visits), I hardly think that my nut allergy is a product of my parents worrying I could be allergic to things. In fact, it’s because they let me eat whatever the hell I wanted as a young’un that we discovered my little “aversion” to nuts.

While I can’t necessarily argue against certain illnesses and allergies being “all in the mind,” I can’t outright say that that’s the case either. I’ve met people who fit into both sides of the argument and it’s led me to believe that things like this CAN be in the mind and CAN actually exist. And sure, there’s yuppie paranoia and the issue of being “too clean” and “too healthy,” but people like me still do exist and our problems are real.

Am I crazy in finding this guy’s ramblings aggravatingly written?

Chicken With It’s Head Cut Off

I didn’t feel much in the mood to post anything interesting this late in the evening, so I thought I would post some lyric from The Magnetic Fields instead.

Eligible, not too stupid
Intelligiable, and cute as cupid
Knowledgeable, but not always right
Salavagable, and free for the night

Well my heart’s runnin’ round like a chicken with its head cut off
All around the barn yard falling in and out of love
Poor thing’s blind as a bat
Gettin’ up, fallin’ down, gettin’ up
Who’d fall in love with a chicken with its head cut off?

Woah Nelly

My wife doesn’t understand me
Many dozens, hope to land me
I’m for free love
And i’m in free fall
This could be love
Or nothing at all

But my hearts runnin round like a chicken with its head cut off
All around the barn yard falling in and out of love
Poor thing’s blind as a bat
Gettin’ up, fallin’ down, gettin’ up
Who’d fall in love with a chicken with its head cut off?

We don’t have to stars exploding in the night
Or electric eels under the covers
We don’t have to be
Anything quite so unreal
Lets just be lovers

Well my heat’s runnin’ round like a chicken with it’s head cut off
All around the barn yard falling in and out of love
Poor thing’s blind as a bat
Gettin’ up, fallin’ down, gettin’ up
Who’d fall in love with a chicken with its head cut off?

It ain’t pretty

Rambling About Screenwriting Books

Thought I would try out my new account with Viddler by ranting about a screenwriting book that I hate and one that I love. Kind of threw it together fast so it ain’t “all that” nor is it the definitive source on what you should buy if you’re in the market for books on screenwriting…so be kind. :)

My Year In Lists

Hey folks, I thought I would end the year a little differently and end it with a “playlist” for the year. I went all dorky and divided it up by month, talking a little bit about why I picked that track. It’s been one hell of a year. Hopefully you get that from my selection. See you in the new year!

Continue reading…

Trust Me, Give It a Chance

The extent of my advertising knowledge comes from a focus group I participated in around a month ago. They placed a plethora of ad campaign trials in front of us and asked us what we thought about them, if they worked and what we got from the “slogans” presented. I gave my input, participated in the discussion, and took my pay as soon as I left the office room. That was it. Minimal effort for minimal gain. In short, kind of a hollow experience. When I was given a screener copy of a new TNT series called TRUST ME, I pretty much expected the same sort of thing.

If you don’t know, TRUST ME is a new contemporary drama series airing on TNT in January. It’s about two ad men, Mason (Eric McCormack of Will and Grace) and Connor (Tom Cavanagh of Ed), and their partnership in an ad agency based out of Chicago. Throughout the series, the two work together to maintain their contracts with “unreasonable” clients while dealing with their ever-complicated personal lives.

The screener DVD I received had the pilot episode as well as an unfinished cut of the second episode “All Hell the Victors.” The first episode introduced me to all of the characters by telling me their names, and what they do for the company. The gimmick played out in a glib manner, labeling the CEO as “The Boss of Everyone” and the others as the boss of somebody else. One guy got the unfortunate monicker “The Suit.” In my mind, I was ready to check out. Here was a show that promised edgy and ended up using tired gimmicks to help me distinguish the characters that weren’t the leads. Not a good start.

But that changed with the introduction of the two main characters, Mason and Connor. They are the strength of the two episodes I saw, being the most realized out of everyone else and given the most life thanks to McCormack and Cavanagh. Some of their interactions bordered on over-the-top, but not obnoxiously so. And when it comes down to it, the two were just fun to watch onscreen.

But like I said, the rest of the cast bordered on forgettable. I have a feeling, however, that this complaint will fade away as the series progresses. There was a particular scene between Mason and a new copywriter (Monica Potter) in the second episode that was particularly telling of the idea behind TRUST ME. Simply put, it’s about the characters.

Perhaps the weakest aspect this show, and the thing I have the biggest complaint about is that the series is set in Chicago but not truly “set” in Chicago. We get the usual cut-aways to the Chicago skyline or some piece of dialogue telling us that we’re in Chicago, ala MY BOYS, but not much more. If you squint in the first episode you can kind of see a RED EYE dispenser and the elevated tracks along Lake. I had to re-watch the scene a couple of times to tell that it was actually shot in the city proper. The show was created by Hunt Baldwin and John Coveny, who have over 20 years of experience in the advertising world having worked for J. Walter Thompson and Leo Burnett Advertising in Chicago. Considering all this experience and time in the city, one would think that they could have infused more of it’s personality into the show as well. No joke, one of the characters looks out the window of his office and exclaims, “Aahh, Chicago!” like he’s lived there his whole life. Don’t buy it for a bit. Here’s hoping that this changes in future episodes.

So, I suppose you’re wondering if the show is worth watching or not. Apart from a few issues like location and weak side characters, TRUST ME is actually a rather compelling drama. It’s fast paced, energetic, and the leads are extremely likable. That’s enough to get me hooked for more episodes at least! If you can, be sure and check out the premiere on Monday, Jan. 26th at 10pm (ET/PT). You won’t be bored, trust me.

Back in Chicago

I arrived at the Greyhound station in Chicago at around 1:00am, just like the ticket said. I exited the bus as fast as I could and waited eagerly for the luggage man to come by and hand me my bag so I could get the hell away from the bus and get back to my nice (and hopefully warm) apartment. As I bounced up and down impatiently, a fellow passenger took a step toward me and excused himself. “I noticed that you were using a script-writing program.” he said. “May I ask which one you were using?” I told him about Celtx and how it’s been my program of choice for awhile now. I gave him a brief rundown of what it did and then we parted ways awkwardly.

There really wasn’t a point to this little story, but I figured I would share anyway.